Cream BMX Magazine
Cream BMX Magazine was a highly influential, high-quality print BMX magazine published bilingually (French/English) from Paris, France, starting in April 1999. Edited by Alain Massabova, it covered global freestyle BMX (except race) with exceptional photography
and balanced reporting.
Cream BMX Magazine stuff
Cream BMX Magazine FAQ
Who or what was Cream BMX Magazine?
Cream BMX Magazine, based in Paris, France, was arguably one of the best and most influential global BMX print magazines. Its first issue appeared in April 1999. It covered essentially all aspects of freestyle BMX (Street, Park, Dirt, Flatland) worldwide, excluding racing, which was acceptable given France had three BMX magazines at the time.
What did Cream BMX Magazine stand for?
Cream stood for high-quality BMX journalism and photography with an international perspective. Edited by Alain Massabova (also known for A Bad Thing), the magazine emphasized balanced coverage, featuring major events alongside smaller jams and rider spotlights from across the globe. Publishing bilingually in French and English made it accessible worldwide.
What made Cream BMX Magazine special?
Its specialty was its high production value, exceptional photography, and international scope during the prime era of BMX print media. It offered in-depth content and a tangible connection to the global scene that was highly respected. The bilingual format was also a key differentiator.
What did Cream primarily produce?
Cream produced:
- High-quality Print BMX Magazines: Published periodically.
- Limited apparel or accessories related to the magazine branding.
Who was Cream BMX Magazine suitable for?
Cream was suitable for any BMX freestyle enthusiast who appreciated high-quality print media, stunning photography, and in-depth coverage of the global BMX scene. It was a must-read for staying informed and inspired during its publication run.
Is Cream BMX Magazine still active?
Cream BMX Magazine ceased regular print publication some years ago, likely succumbing to the challenges faced by print media in the digital age. It remains a highly regarded legacy publication within the BMX community.
